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Nomine’s new music

The Dance To Nomine label.

The dedicated home for Nomine’s new music, beginning with The Rain, Mirage, Filthy and the album Break The Rhythm. It sits alongside Nomine Sound, the independent label Nomine has run for nearly a decade.

Music released through Dance To Nomine.

The releases connect Nomine’s bass-led production with acoustic instruments, voices and musical traditions from different places. Dancers and movement artists then use the music in competition, performance, film and personal practice.

The first three singles, The Rain, Mirage and Filthy, lead into the album Break The Rhythm.

London To Tokyo artwork by Nomine

NS031 · Single · Out now · Nomine Sound · Nomine

London To Tokyo

A standalone Nomine Sound single: Japanese scales and instrumentation set against the raw energy of London grime and dubstep.

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For NS031, Nomine pulls together the strands that have always sat at the heart of his sound: deep sub pressure, global musical influence and a willingness to push familiar club structures into less predictable territory. This time, traditional world music influences collide with Japanese scales and instrumentation, set against the raw energy and attitude of London grime and dubstep.

The result is dark, tense and deliberately uncompromising. Eastern melodic ideas weave through heavyweight low end, nasty mids, sparse heavy drums and grime-informed rhythms, creating something that feels both ancient and distinctly modern. There is space in the production, but nothing soft about it. Every element is there for a reason, from the hypnotic tonal details through to the nastiness and weight underneath.

London To Tokyo is a standalone release on Nomine Sound, out now, ahead of the album Break The Rhythm on 27 November.

Break The Rhythm album artwork

Album · forthcoming 27 November 2026 · Nomine

Break The Rhythm

Nomine’s third full-length album: ten tracks spanning 87-140 BPM, forthcoming 27 November 2026.

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Break The Rhythm began with a need for change, both personally and creatively. The album breaks from familiar working patterns while retaining the foundations of Nomine’s sound: sub bass, rhythm, restraint and atmosphere.

The record brings the Dance To Nomine releases into a wider body of work, with acoustic instrumentation, vocals and tracks already being interpreted by movement artists. Available through digital streaming and download, with a special collector’s vinyl edition planned.

This is Nomine’s third full-length album since the project began in 2014. It follows his debut album Inside Nomine, released on Tempa in 2015, and Ascension, his 2022 collaborative album with Youngsta, released through Sentry Records.

Born out of a need for change, some brutal life decisions and a desire to break long-established patterns, Nomine presents Break The Rhythm, a 10-track album that pushes his sound into new territory while remaining rooted in the elements that have defined his music from the beginning: sub bass, rhythm, atmosphere, organic instrumentation and influences from around the world.

The title is more than the name of a track. At the end of 2025, Nomine reached a point where change had become necessary, both personally and creatively. The idea became simple: if we want different, we must do different. That thinking runs through the album.

Rather than abandoning the Nomine sound, Break The Rhythm expands it. Electronic music, bass music, dub, dubstep, trip hop, world music and acoustic instrumentation move across tempos from 87 to 140 BPM. Middle Eastern, Japanese, Bulgarian, tango and other musical influences appear throughout, but the common thread remains unmistakably Nomine: physical low end, hypnotic repetition, space, atmosphere and music designed to be felt as much as heard.

Another major influence on the project came from something that had been developing organically for years. Nomine became increasingly aware of dancers and movement artists around the world using his music across disciplines including contemporary dance, street dance, hip hop, ballet, jazz, pole, belly dance, fusion dance, fire performance, hair hanging, aerial dance and more. Cirque du Soleil dancers also shared movement to his music. At one point, Madonna shared footage of dancers performing to Nomine’s music inside an ancient Italian cave on her Instagram.

Nomine began exploring why the music connected so naturally with movement, from sound-system culture to an unexpected second life in dance and movement.

That idea developed into Dance To Nomine, both the label releasing this album and a wider collaborative project connecting music with dancers, choreographers, musicians and movement artists internationally. Recent collaborations have already brought the Dance To Nomine label tracks deeper into the physical world, with further plans developing around live performances, seated productions, dance events and purpose-built collaborations in different countries.

Break The Rhythm is the musical foundation of that next chapter.

Track by track

The album opens with Freedom, featuring Katja, a mystical and spacious introduction built from organic instrumentation, Eastern colours, electronica and heavyweight sub bass. It immediately signals the broader palette of the record while retaining the weight and atmosphere associated with Nomine.

Katja returns on Pain Body, where hypnotic guitar figures, distorted bass, militant drums and an intense vocal sit within a darker 140 BPM framework. The song draws inspiration from Eckhart Tolle’s concept of the pain-body, the accumulated emotional pain and unconscious patterns we can continue carrying long after the original experience has passed.

Mirage, featuring Moroccan vocalist Zeyneb, moves deeper into Middle Eastern and North African territory. Oud, flute, percussion and Zeyneb’s hypnotic vocal chants sit against deep electronic production and the low-end pressure at the centre of Nomine’s sound.

The Rain shifts the focus to Japan. Opening with words from Japanese poet Yukio Tsuji, the track combines taiko drums, koto, rain sticks and layered percussion with restrained electronics and sub bass. Its themes of pressure, perspective and release also mirror the personal circumstances from which the wider album began to emerge.

Zeyneb returns for Desert Dust, a darker and more haunting piece built around Middle Eastern inspired instrumentation, heavy bass, atmosphere and her distinctive vocal chants.

On Mother, Nomine reconnects with a thread that reaches back to one of his best-known tracks, To The Sky. Like that earlier collaboration with Bulgarian vocalist Iustina, Mother is sung in Bulgarian, this time by Angie. Built from an initial musical idea sent to the vocalist, Angie’s performance became the emotional centre of the track. The lyrics describe sunlight rising above a green forest, a nightingale singing from a branch and the warmth of nature awakening both the face and the soul. It acts as an unofficial spiritual successor to To The Sky, while taking the idea somewhere new.

The album’s title track, Break The Rhythm, brings the philosophy behind the whole project into focus. Again featuring Katja, the track draws from trip hop, dub, bass music and the wider Nomine palette. Its central idea came directly from the period of change that triggered the album: if we want something different, we must do something different.

From there, Tango Dub pulls Nuevo Tango into Nomine’s world, combining harmonica, strings, chord progressions, muted dub techniques, electronic production and deep bass into one of the album’s more unusual hybrids.

In Bronze I Sleep, featuring Icelandic vocalist STÍNA ÁGÚSTSDÓTTIR, moves into a haunting, baroque-inspired space of piano, melody and voice. Its story imagines two bronze statues temporarily coming to life, finding and connecting with one another while knowing that their time together is limited. At its centre is a simple idea: time is short, so what happens while we have it matters.

The record closes with Filthy, again featuring Zeyneb. Where Mirage explored Middle Eastern influence through space and hypnosis, Filthy pushes similar colours into something much darker and more aggressive, combining gritty breakbeats, distorted bass, haunting chants and crushing halftime rhythm.

Across its ten tracks, Break The Rhythm moves between cultures, tempos and styles without losing its centre. It is an album about change, but not reinvention for the sake of it. It is about recognising when familiar patterns have stopped working, making difficult decisions and allowing those changes to open new creative possibilities.

For Nomine, breaking the rhythm became both the process and the result.

Tracklist

  1. Nomine feat. Katja, Freedom [Pía Apsara]
  2. Nomine feat. Katja, Pain Body [Haus of Pole]
  3. Nomine feat. Zeyneb, Mirage
  4. Nomine, The Rain
  5. Nomine feat. Zeyneb, Desert Dust [Spiral Orchid]
  6. Nomine feat. Angie, Mother
  7. Nomine feat. Katja, Break The Rhythm
  8. Nomine, Tango Dub
  9. Nomine feat. STÍNA ÁGÚSTSDÓTTIR, In Bronze I Sleep
  10. Nomine feat. Zeyneb, Filthy
Filthy artwork, Nomine featuring Zeyneb

DTN003 · Nomine featuring Zeyneb

Filthy

A darker, heavier turn: 87 BPM halftime, distorted bass, gritty breakbeats and Moroccan vocalist Zeyneb.

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Following the release of Mirage, Nomine returns with Filthy, the third chapter in the Dance To Nomine project and a darker, heavier evolution of its sound.

Featuring the return of Moroccan vocalist Zeyneb, whose chant-style vocals first appeared on Mirage, Filthy revisits Middle Eastern inspired melodies and instrumentation but places them in a far more aggressive setting. Distorted bass, gritty breakbeats and crushing halftime rhythms replace the spacious atmosphere of its predecessor, creating a track that feels equally at home on a festival soundsystem or alongside contemporary movement performance.

Built around an 87 BPM pulse, Filthy blends heavyweight halftime with nods to 90s boom bap, while retaining the deep sub bass and cinematic world-building that have become signatures of the Dance To Nomine project. Traditional-inspired instrumentation, haunting vocal phrases and hypnotic textures sit against saturated synths, fractured percussion and raw low-end pressure.

Already a fixture in Nomine’s recent DJ sets, the track has become a reliable bridge between slower grooves and heavier drum and bass, delivering impact without sacrificing space or atmosphere.

While each Dance To Nomine release explores a different cultural influence, the thread running through the project remains the same: creating electronic music designed for listening and for movement. Across dancers, performers and immersive live environments, the project continues to explore the meeting point between bass music, rhythm and physical expression.

With Filthy, Nomine pushes that vision into its most uncompromising territory yet, pairing ancient musical influences with modern bass music production to create something both familiar and difficult to place.

Mirage artwork, Nomine featuring Zeyneb

DTN002 · Nomine featuring Zeyneb

Mirage

A 140 BPM piece built from oud, flute, tribal drums, hypnotic vocal chants and the weight of Nomine’s sub bass.

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Following the release of The Rain, Nomine returns with Mirage, the second single from the forthcoming Dance To Nomine album series, continuing a body of work centred around movement, atmosphere and cultural influence.

Where The Rain explored reflection and release through traditional Japanese instrumentation, Mirage shifts toward a more Middle Eastern and North African inspired palette. Eastern melodics, hypnotic vocal chants, oud, flute and chunky tribal drums weave around heavy sub bass and the classic 140 BPM Nomine pulse, creating something physical, immersive and deeply rhythmic.

The arrangement progresses gradually, unfolding in layers rather than rushing toward impact. Elements evolve slowly over time, allowing the percussion, melodies and low end to breathe and interact naturally. Tension builds through repetition, subtle variation and movement within the groove itself, creating a hypnotic sense of momentum without overcrowding the space.

Organic instrumentation and percussion remain at the forefront, while the electronic elements act more as tension and weight than spectacle. The low end anchors the piece with a familiar Nomine heaviness, but there is restraint in the arrangement, allowing the textures, movement and atmosphere to lead.

Mirage continues the wider philosophy behind Dance To Nomine. More than a label, the project is being developed as a platform connecting music with movement artists, dancers and musicians across different cultures and disciplines.

Across the wider album series, Nomine draws influence from different regions and traditions while remaining rooted in the core foundations of his sound: sub bass, rhythm, atmosphere and musical depth.

The Rain artwork by Nomine

DTN001 · Nomine

The Rain

The first Dance To Nomine release pairs spoken word from Yukio Tsuji’s poem The Rain with taiko drums, koto, rain sticks, layered percussion and deep sub bass.

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Nomine introduces a new chapter with The Rain, the first release on his newly established Dance To Nomine label and the opening statement of a wider body of work set to unfold through 2026.

The track opens with a spoken word piece taken from The Rain by Yukio Tsuji. The poem centres on a simple but loaded idea. When you try to focus on every individual detail, everything becomes heavy and exhausting. When you step back and take things in as a whole, something shifts. It moves between noticing small fragments and allowing the wider picture to exist without forcing clarity, holding a quiet tension between attention and release.

From there, the music builds into a dense and immersive soundscape shaped by traditional Japanese instrumentation. Taiko drums, koto, rain sticks and layered percussion form the organic foundation, with classic Nomine sub bass and rhythms anchoring the piece physically. The electronic elements are present but restrained, allowing the natural textures and movement of the instruments to lead.

Licensing and collaboration

Use the music in your work.

For dance, film, performance, sync and other music use enquiries, contact Dance To Nomine with the project details.

Make an enquiry